Curses and Dragons

Bitterblue

May 14, 2012 · Leave a Comment

I’m in the middle of Bitterblue, a companion to Graceling and Fire.  It does not disappoint, and in the most marvellous way, it feels like a Megan Whalen Turner novel.  I am so darn impressed with Kristin Cashore’s range–she’s like my perfect Frankenstein monster of an author, with Graceling reminding me of Tamora Pierce, Fire reminding me of Robin McKinley, and now Bitterblue with shades of not just Turner but also Lloyd Alexander.  And yet still with her own unique voice and sensibility that is undeniably Cashore.

I have enjoyed a lot of new-to-me writers, but the ones who tie a little string to my heart and fly it like a kite are rare.  I’ve (fortunately) come out of the dark time of early writerdom when you can’t stop reading things with a negative, critical eye and with a flat little voice in the back of your head nagging you about how you would do it differently. I read like a reader again, and can turn the writerly/editorial eye on and off at will. But even as a reader, I have grown jaded over the years.  It’s lovely to have a sense of freshness and exhileration with every page turn.  –Or tablet swipe, as is the case with this one.

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Uncle John’s Bathroom Reader: Flush Fiction Giveaway!

May 5, 2012 · 3 Comments

The swell folks at Uncle John’s Bathroom Reader have done three things you might want to be aware of:

1) They published a book called Flush Fiction, which is a book of 80-odd short-short or flash fiction stories in a variety of genres. (If you are a Princess Curse fan concerned about the appropriate age level of the book, I’d say it’s PG to PG-13 for language.)

2) They included a story by yours truly, called “One Million Years BFE: Diary of an Anthropologist in Exile.” Which I have been told is funny even to non-anthropologists. (My story is definitely above PG due to language. Nothing you can’t hear on regular prime-time TV, but yeah.)

3) Uncle John is giving away a copy on my blog! Just comment on this entry with “I WANT TO FLUSH”, leave your email address in the appropriate non-published-for-bots field, or some other way to contact you, and you are entered. I will select the winner on May 12th using random.org and forward on your contact info to the Bathroom Reading Institute to send you a copy! Easy as pie.

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And the value-add on all those “last edits”…

April 26, 2012 · 1 Comment

My last post on “last edits” was sparked by an email conversation with a friend, who I basically wrote that whole blog post to in email, then cleaned up and put online.

A second friend emailed me after the post went up, half-jokingly (I hope it was at least half) saying that my post was making her consider whether to bother trying for traditional publishing or go the self-pub route. I haven’t written her back yet, because, well, life, but I’m going to.

But I’m going to tell you some of my reactions first.

First and foremost: yes, I did mention feeling my pain in the last post, but it is a highly specific kind of pain. It’s the kind of pain that has a good outcome. Yes, it’s a lot of work. Yes, it takes a long time. Yes, it stomps on any other work I might be doing (but so does my dayjob). Yes, at one point I did sort of tear my hair and scream a couple of times as I worked through that last edit (over very minor things, at that; I literally can’t remember what they were about, though, and it was the frustration of “HOW COULD I NOT HAVE PUT THAT IN THERE THE FIRST TIME?”)

But this is also what produces a finished, polished, book. A book to be proud of. The best book that the book can be, given my skillsets and skill levels. If I had self-published The Princess Curse, it would not be the book you know now; the beginning would be even slower. There would be even more running around dark passages aimlessly in the second half. It would be an amusing read still, I think, but it wouldn’t be as good, structurally.

I could not have afforded to pay a team of editors and copyeditors to get the result I got on The Princess Curse. Short of blasting out a Kickstarter campaign of epic proportions, I could never have afforded someone on my own who had copyedited for Karen Cushman. (And let’s leave aside the other issues: like getting Jason Chan cover art, or a real book designer for my cover, as baseline examples.) In terms of the book itself, the fine-tuning was important, amazing, and an education all to itself. I would never have had an earnest discussion with three amazingly smart people about the phrase “it cricked my neck,” which everyone agreed was grammatically wrong and yet perfectly in character for Reveka, and there really was no better option anyway, though we all listed every single one we could think of.

Insomuch as there are already FAR too many book/children metaphors out there, let’s just liken this stage of revisions to the process of giving birth. Or, maybe cleaning your house for your parents at Christmas. Either way, no one really loves the process, but most people are pretty happy with the outcome.

I sure am.

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“So is this your last edit?”

April 24, 2012 · Comments Off

This is a question I get a lot, because I insist on explaining to people that no, I can’t do something because I have a deadline. “Oh, is this your last edit?” is the invariable follow-up to that.

Allow me to clutch my belly a moment. I’m not laughing at you; I’m just feeling my pain.

Let’s see. I’m rewritten this book a few times. My editor says were getting close to the end. But what she means by “close” is that after this revision (which covered line-edits and about 4 medium excisements that caused cascade changes on down the line which my editor asked for, and some pages and paragraphs that I decided needed to move around the book a little, mostly bits of exposition)…

There’ll be a lightning round.
Maybe two.
Then copyedits, which (if the last book was any way to tell) will have two copyeditors working on it.
Then mabye a lightning round with the copyedits–maybe not.
Then the galleys.
Then a copyedit of the galleys. (Last time, that was with a 3rd copyeditor.)
Then my editor sat me down and we looked through the last 20 or 30 nitpicky questions everyone had.

Last time, this bit of the process took me from October til about April, and at some point the Advanced Reader Copy was produced, after the galleys and before anything else.

So… yes. I’m almost done.

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Second Roughest Draft

April 21, 2012 · 2 Comments

My next item in The Princess Curse folder was created on 1/29/2008. I had, thank goodness, uncovered Reveka, more or less. Even though Reveka was the name of Ruxandra’s sister at that point. I was calling the character Raluca, named after my cousin… which means I had properly figured out some Romanian names. And I had given the whole thing a singularly crappy title.

How the Devil Those Shoes Got Holes in Them Every Night

Now that I am thirteen and a lady grown, I have decided that I must record the story of how my father, once a common soldier, became a prince, and how I acquired a mother after many years of wishing for one. Of course, my age does not have as much to do with the recording as much as my new status, for a year ago, when I was an apprentice herbalist, I didn’t have the time to take up a pen and form my letters carefully for matters of diary-keeping. Also, I find writing my memoirs is a pleasant alternative to needlework, and no one bothers me with questions about silk embroideries if I scratch diligently at my vellums.

The first thing you must know is that I did not lay eyes on my father once before I turned nine years old, when he came to retrieve me from the convent where my mother had sent me just before she died. With no memory of my mama, I had no parent to compare my new-met Papa to–though I liked him quickly, for he beat me less than the abbess did.

I was content to follow Papa about as he moved from grand house to grand house, working as a gardener, and grew even more content when he settled at Prince Vasile’s palace, where he managed the shrubberies and was in charge of the digging a defensive ditch. Papa even apprenticed me to Brother Cosmin, the Prince’s herbalist, who was willing to overlook the disadvantage of my sex because I’d had training in the cultivation of medicinal plants at the convent. And my sex even became an advantage–for Brother Cosmin, not me–as I was then appointed to manage the herbs for the princesses’ baths.

Nobody among the servants wanted anything to do with the princesses because of The Curse, and it was always the most junior members of the household who had to deal with them. The apprentice cobblers appeared every morning to measure twenty-four dainty feet for twenty-four dainty new slippers, while the master cobblers stayed abed with their warm wives; and the apprentice cooks brought nourishing breakfasts to the sleepy princesses while the master cooks stayed in the kitchen and prepared meals for Prince Vasile and Princess Lucretia; and the apprentice herbalist readied the green herbs for the hot baths brought by the apprentice chambermaids, while the master herbalist seduced the master chambermaids. It was all very tidy, if you were a master, and not an apprentice.

Me, though, I didn’t mind, because while I believed in The Curse–the proof was there, every morning, in the piles of worn-through slippers outside the tower door, for anyone to see!–I didn’t see how it would ever really affect me. In fact, I thought the whole thing was rather stupid.

I don’t know how it started, exactly. It had something to do with the fact that Prince Vasile never had a son, and if he didn’t produce a male heir from his line before he died, the principality would revert to the rule of some king or other that nobody really liked. The prince had gone through four or six wives, or maybe it was only three, and had never managed to have a son. But he had managed to have a couple of daughters with his wives, and they were the princesses Maricara and Mihaela, and technically, they were the only real princesses in the palace besides Prince Vasile’s wife.

But Prince Vasile had managed to have ten other daughters by ten other women in his principality, outside of consecrated wedlock, which was very shocking to me when I first learned of it, because I thought that God would not bless women with babies who had not received the sacrament of marriage, but Brother Cosmin said, No, what did those nuns teach you?–and at some point many years ago, Prince Vasile made all his daughters come to live with him in the palace so that he could marry them all off in hopes that one of them would have a boy baby to keep the principality safe. He even ennobled his illegitimate daughters, no matter how common their mothers, including the now-princesses Ruxandra and Reveka, who were born to a tavern-wench, and Otilia, who’d grown up in a mill.

But shortly after the princesses all started living together in the palace, The Curse came on. And nobody seemed to want to marry women, even princesses, who were under the effects of a curse.

As far as curses went, it seemed a bit trivial to me–every morning, the princesses were very tired, as though they hadn’t slept at all, and their shoes were worn, as though they had danced them through. I didn’t see why this would stop anyone from marrying the girls, but apparently, it scared off all the nobles and aristocrats and royals and knights and squires–in short, everyone of gentle birth who would even be a tiny bit worthy of marrying a princess. And the whole thing had vexed Prince Vasile so much that he’d sworn that the first man who could figure out How the Devil Those Shoes Got Holes in Them Every Night would be allowed to marry the princess of his choice, no matter what his birth, age or rank.

This, grumbled the servants, was a terrible precedent. First, Prince Vasile had ennobled all his bastard peasant daughters, and now he was willing to marry even his truly royal and legitimate daughters to any hapless sheepherder who could figure out The Curse?

“It’s not a very curse-like curse,” I grumbled to

All of this started about sixteen years ago, which made it even worse.

But that didn’t happen, because shortly after the girls were brought in to

Like how rough-drafty it is that it trails off into half-sentences there at the end?

You’ll be… happy?… to know that by the next draft, which has a create date of 2/21/2008, Reveka was Reveka.

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Roughest Draft

April 20, 2012 · 1 Comment

I’ve answered a lot of questions about how I got the idea for The Princess Curse, but I think it’s hard to get at how slow and organic the process of idea coagulation is. Let’s take, for example, the very oldest piece I have in The Princess Curse folder on my hard-drive. Read at your own peril:

When Papa had us fitted with iron shoes, I knew we were in trouble. The biggest trouble possible, I thought, but that’s because I didn’t know about the soldier yet.

Dzemila looked like she was ready to run off and scream in Papa’s face, but Elmedina gave everyone stern glances, and that was the end of our open resistance. So, instead of giving our feet to the cobbler’s boy to make measurements, as we had done every morning for the past six years, we let the blacksmith trace out the shape of our feet with chalk on slabs of slate, and none of us said a word.

Only in the privacy of our tower did we dare to speak, bubbling like a dozen fountains in our panic, until eventually Cena cut through our jabbering and said “We’ll just have to learn to dance in iron shoes, then!”
Kadima and Halima clearly saw the whole thing as a joke; they hadn’t stopped laughing since we came in from the smithy. Kadima said, “Ooooh, but what if I fall out of my boat? I’ll sink directly to the bottom of the river and that’ll be the end of us all! I can’t dance on the riverbottom.”

“If nothing else, your shoes will rust,” Halima said gravely, and they were off in giggles again. They weren’t the youngest, but they were certainly the youngest-acting.

Mara took it all very seriously, though. “I absolutely can’t swim in iron shoes,” she said.

“Can you swim when you’re not wearing iron shoes?” I asked.

“No…”

“Then what’s the point?” Elmedina asked, sharp and angry as ever. She was so condescending. I pulled a face at her behind her back, which made Kadima laugh and laugh, but all inside, so she turned bright red and snorted through her nose.

“We will do what we have to do,” Dzemila said. “Elmedina is entirely right.” Of course she would say that. Dzemila is the oldest, but she always follows Elmedina’s lead. Even if Elmedina leads us all straight to Hell.

“We should just confess,” Cena said, not for the first time. “We should just tell Papa everything, and…”

“And what?” Elmedina asked. “Buy us out of our bargain?”

“Not my bargain,” I muttered.

“Nor mine,” someone else said, I think it was Halima. I have eleven sisters, and I don’t always pay attention to who is talking.

“It’s thinking just like that that’s going to get us stuck in Lord A—’s court for eternity,” Elmedina said. “If one of us fails, we all fail.”

I decided that was a pretty good time to stalk off angrily, so I did.

Little Lemija, youngest of twelve daughters by twelve different mothers and one Baron O–, she doesn’t add much to any conversation, according to my sisters. I’d been the baby for so long that no one had noticed when I grew up. But they’d been more than happy to make me dance for their lives every night since I was six years old.

I decided to walk around the garden for a while. I never felt like I saw enough sunlight, and it was probably true. Our nights were so awful that we slept for most of the day, which was of course why our father was always hatching schemes. We’d all refused to marry, and we were always pale and exhausted and sleeping, and every morning, all of our shoes were found with holes in the soles. It was the great mystery of the twelve daughters of Baron O–, and it was a mystery that Baron O– wanted solved so he could gain political favors through our marriages.

Papa had variously called in priests and vampire hunters to see if we were witches or vampires or possessed by demons, but we’d been exonerated by them all. We were good girls and virtuous and never spoke foul words outside of our tower and in private; we could recite a mass or a rosary with the best of them. And we were perfectly willing to lie and say that we’d never consorted with devils.

Wow! What is that?

It’s “Twelve Dancing Princesses” from the youngest princess’s point of view. Set in… well, it was set in Romania (in my head; can’t you tell by the vampire references?) but I had done ZERO research on Romanian names, so I filled in with Bosnian names I knew from a former co-worker from Sarajevo.

And yet, there are shades of my book in there, shades of The Princess Curse in it’s current published form. Maybe even a line or two that made it to the final book!

The creation date on that file, by the way, is 10/27/2007.

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Happy Spring!

April 16, 2012 · Comments Off

Here’s a happy spring picture from my favorite tree–it’s a redbud near my library that puts out these pink petals on the trunk that look like moss. If you click through to my Flickr account, there’s a series of like 30 of these redbud buddies.

redbuds 024

I love them just a little extra because they really look like something that might be from Thonos.

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Romania Pic(s) of the Week

April 5, 2012 · Comments Off

Now, this would be a grave of a contemporary of Reveka. This fellow died in 1521.

unicorns with sword through neck

Though I honestly took a picture of this marker because it was of a unicorn with a sword through its neck. It is to my great despair that I will not know without some serious research what that is all about, and even then, may never know.

Also: Lion holding sword!

lion with a sword

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People of earth, think about your spam filters

April 1, 2012 · Comments Off

Just a public service announcement… but if you send me an email and then I get a bounceback saying I might be a spammer and I’m not allowed to send you email without doing something else? I’m going to be too annoyed to try and figure out the next step.

I realize it’s petty. But using that level of spam filtration without pre-adding your correspondents to your white list is ridiculous.

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Romania Pic(s) of the Week

March 29, 2012 · Comments Off

book man: Grave, Petrus Lupinus 1597

Grave of Petrus Lupinus, died 1597… almost 100 years after The Princess Curse takes place, so perhaps a contemporary of Reveka’s grandchildren, were she to have any. (Didina’s grandchildren, then?)

The next one is a hundred years after that, but I rather like it because you can see that it was once painted–which was the case for most statuary of the past.

staff guy, and with the flash you can see the faded paint

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